Alejo Moguillansky’s slim 2020 feature La noche submarina, released on a streaming platform that no longer exists in the first bleak winter of the Covid lockdowns, opens by announcing its memorial status with two headstones, one written, the other spoken – In memory of the forty-four sailors aboard the ARA San Juan, sons of Neptune,…… Continue reading Profiles #2 – Alejo Moguillansky: Some Notes on La Noche Submarina
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Encounters #2 – Alejo Moguillansky
Here at Lucky Star, we are always on the lookout for points of contact with other cinephile cultures. We are hoping with this column, Encounters, to establish a dialogue, a line of communication. We get to know interesting cinephiles, critics, directors, etc., all as a way to interrogate our own positions, our own cinephilia. In…… Continue reading Encounters #2 – Alejo Moguillansky
Profiles #2 – Un diario de Alejo Moguillansky
Day 1 After watching the films of Alejo Moguillansky I am wondering how to deal with them, what strategies to use, how to respond to what I see. I have a Word document open with various notes, quotes, articles, translations. I am wondering how to use them. I have to imagine that Alejo Moguillansky…… Continue reading Profiles #2 – Un diario de Alejo Moguillansky
Profiles #2 – Alejo Moguillansky: Index
Let us place Alejo Moguillansky on the map of international cinema. In his home country of Argentina, he is respected as part of El Pampero (a collective of filmmakers which includes him, Mariano Llinás, Laura Citarella and Agustín Mendilaharzu). El Pampero Cine operates outside of the traditional methods of film financing and production, refusing the…… Continue reading Profiles #2 – Alejo Moguillansky: Index